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Tool
Japan Tour in Yokohama and Kobe
2025 Dec 11 (Thurs) - Dec 13 (Sat)

LIVE EVENT Japan Rock Metal Progressive Alternative

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YOKOHAMA, KANAGAWA
2025.12.11 Thu
K-Arena Yokohama
OPEN 17:30 / START 19:00

PLATINUM Reserved Seat ¥35,000(tax incl.)
GOLD Reserved Seat ¥28,000(tax incl.)
GOLD Balcony Reserved Seat ¥28,000(tax incl.)
SS Reserved Seat ¥22,000(tax incl.)
S Reserved Seat ¥15,000(tax incl.)

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KOBE, HYOGO
2025.12.13 Sat
GLION ARENA KOBE
OPEN 18:00 / START 19:00

GOLD Arena Reserved Seat ¥28,000(tax incl.)
GOLD Stand Reserved Seat ¥28,000(tax incl.)
GOLD Stand Reserved Seat  ¥28,000(tax incl.)
SS Reserved Seat ¥20,000(tax incl.)
SS Reserved Seat ¥20,000(tax incl.)
S Reserved Seat ¥15,000(tax incl.)

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TOOL

Tool is an American rock band formed in Los Angeles in 1990. It consists of vocalist Maynard James Keenan, guitarist Adam Jones, drummer Danny Carey and bassist Justin Chancellor, who replaced founding member Paul D'Amour in 1995. Tool has won four Grammy Awards, performed worldwide tours, and produced albums topping charts in several countries.

The band has released five studio albums, one EP and one box set. They emerged with a heavy metal sound on their first studio album, Undertow (1993), and became a dominant act in the alternative metal movement with the release of their follow-up album Ænima in 1996. The group's efforts to combine musical experimentation, visual arts, and a message of personal evolution continued with Lateralus (2001) and 10,000 Days (2006), gaining critical acclaim and international commercial success. Their fifth studio album Fear Inoculum was released on August 30, 2019, to widespread critical acclaim. Prior to its release, the band had sold more than 13 million albums in the US alone.

Due to Tool's incorporation of visual arts and very long and complex releases, the band has been described as a style-transcending act and part of progressive rock, psychedelic rock, and art rock. The relationship between the band and the music industry is ambivalent, at times marked by censorship, and the band's insistence on privacy.


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